🎶 Ashley McBryde with Boy Named Banjo: Elmwood Summer Concert
Tickets: $41 In Advance, $47 Day Of, $800 VIP Table
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in rural biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019.
The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States.
The Arkansas-native invites listeners to Ashley McBryde Presents: Lindeville, a collaborative project featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and more, earning McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release on September 30, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard and Stereogum, among many more. McBryde recently wrapped The Judds: The Final Tour with Wynonna and will join her collaborators and special guests for two sold-out nights at the Ryman Auditorium for Ashley McBryde Presents: Lindeville Live on February 15-16. McBryde is slated to play headlining shows, festivals and three dates with Eric Church on The Outsiders Revival Tour this spring and summer. For more information, visit AshleyMcBryde.com
or follow her on Facebook, Instagram and Twitter @AshleyMcBryde and TikTok @AshleyMcBrydeMusic.
In a time when the popular choice is to chase the double yellow line down the road to country radio, Boy Named Banjo thrives on its fringes. The Nashville-raised five-piece is a fusion of contemporary country, Americana and folk-rock stacked on a foundation of bluegrass. “We’re trying to find our own niche within popular country music today,” says Sam McCullough (drums). “But not straight down the middle.” The band, which has been together in some iteration since members were in high school, is comprised of Barton Davies (banjo), Ford Garrard (bass/standing bass), Sam McCullough (drums) Willard Logan (mandolin, acoustic/electric guitar) and William Reames (acoustic guitar/harmonica).